Saturday, October 8, 2011

Donne uses many metaphors

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Donne uses many metaphors throughout the poem, most having to do with the flea itself. One example of this use of metaphor concerning the flea is the line in which he says, This flea is you and I... This method of using metaphors is what the entire poem is about. Without comparing the flea to such things as their marriage bed, this suitor would have no line for his lady at all. The metaphors add a comical aspect, for those who have a sense of humor, in that he is able to compare all of these complicated, universal concepts to a flea.


In conjunction with Donne’s use of metaphors, symbolism is equally important and equally abundant. The use of the flea as a symbol seems to be divided by the stanzas. In the first stanza, the flea is a symbol of the union between this man and woman. In the second stanza, the speaker expands the symbol to make the flea the entire world in which the union of their love physically exists. Finally in the third stanza, after the woman has crushed the flea without another thought, the flea becomes a symbol of the triviality of her concerns that through losing her innocence, she will also lose her honor.


Besides symbols, Donne spreads some imagery throughout the poem. A prime example of this would be the visual imagery incurred by the line, And cloistered in these walls of living jet. This line immediately brings to mind a small, dark, secretive place such as that within the flea. However, imagery is not widely used in this poem, which helps to keep it light, on a superficial level. Without sinking deep into the imagery, the reader is allowed to keep a perspective on what the poem is truly about, a come-on.


Of course, in a poem such as this, connotations, specifically sexual connotations are abundant. Lines such as It sucked me first and now sucks thee or And pampered swells with one blood made of two is drenched with sexual undertones. The purpose of this use of connotations, if nothing else, is to give the reader insight into the speaker’s intentions, and perhaps more accurately, just where his mind is while he is spouting his charm.


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Donne’s use of connotations, among the other various methods of writing poetry helps to set the tone of a poem that is, indeed, little more than what some poor seventeenth century woman might here behind a stable, spouted by some quick-witted suitor.





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