Hawthorne's Break from Puritianism

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Although HawthorneÕs Young Goodman Brown was written during the end of the PuritanÕs grasp on American culture, their beliefs are shown throughout the story. HawthorneÕs insights come not from his own beliefs but those his ancestors had towards obedience, religion and conventional morality. Young Goodman Brown gives insight to the cultural values of the early 1800s and the authorÕs own struggle with his faith. Such a term as religious freedom, for example, did not mean for Puritans the unrestricted choice among varieties of worship or non worship as we take for granted today. Rather it meant the opportunity to enforce in a whole community, unchallenged by the English Church or king, their particular forms of Puritan worship ( Porter, Terrie, Gordan 18).

The Puritans held many religious beliefs dealing with obedience, morality, and hierarchy but they truly focused on three blue laws (laws based on church ideas). The Absolute Sovereignty of God says that the Puritans believed that God is all - mighty and asserts His influence in every part of human life. Original Sin and Total Depravity says that Puritans believed man to be naturally evil and depraved. Each child was taught that man was born evil from the New England Primer, In AdamÕs fall/We sinned all. The last of these Puritan beliefs is Predestination and Unconditional Election which says that manÕs fate, through AdamÕs fall, is now predestined by God. Man canÕt achieve his salvation by doing good; he must instead wait, hoping that God will choose him for salvation from other flawed souls.

Puritan belief was centered around these three laws conforming the early American culture into their own. When Young Goodman Brown was written, Hawthorne chose to question those laws that had been instilled in his family for generations. He suggests to the readers of the that time that maybe they arenÕt born in sin and that what they do in life does matter. During the time it was written, around 186, America was going through major changes

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as a culture. Minority groups of women and blacks were fighting for civil and legal rights, the

railroad had become an important tool for travel and Charles Dickens, Edgar Allen Poe and Ralph Waldo Emerson were important writers of that time, who spoke for the new ways of transcendentalism.

America was also moving out of an instilled tradition of Puritan belief. Due to this change of values, Hawthorne seized an opportunity to wake up New England with Young Goodman Brown. Through this story Hawthorne is able to show readers the innocence of a man who after witnessing evil in the flesh is no longer able to even squeeze joy out of life. The author dared to write of a fate of a man that was not textbook. From beginning to end the reader witnesses that Goodman Brown is starting to lose whatever faith that he had to begin with. In the beginning Brown is asked by the devil why he was late and he replied, Faith kept me back awhile (Clayton 76). The underlining of this quote could easily say that not his wife Faith but instead his conscience and his own faith in God kept him. Later, after meeting with Goody Cloyse and the minister and Deacon Gookin, he screams into the forest for his faith and proclaims, My Faith is gone! There is no good on earth, and sin is but a name. Come, devil! for thee is this world given. (80) In the end Brown cries Faith! Faith! Look up to Heaven, and resist the Wicked One! (8) Whether or not his Faith betrayed him or not, young Goodman Brown will never know. What now lies in his heart is opposite of every Puritan manÕs upbringing that through GodÕs forgiveness, man can be saved. Goodman Brown believes now that he is eternally damned to hell. His innocence was lost, and he was not able to save his own fate. HawthorneÕs view of life in this story focuses more on the effects of a personÕs decisions. W hat you do in life is important, you are judged by your actions.

Hawthorne used the changing times of America to express his own feelings towards Puritanism when writing Young Goodman Brown. The story dares to focus on topics that the

respectful, industrious scholars of 17th century Puritans would have never thought of.

Conditioned of the three blue laws of Puritanism, many Americans had the same mind set about religion as Hawthorne. He then chose to breakaway from this conditioning and showed a new way to get to God. Young Goodman Brown is a story about the never-ending battle of good and evil and one manÕs journey into the unknown. Before the story was written, many New England natives had not yet taken this journey due to the constricting values of Puritanism. With the changes America was going through, the break from Puritanism and this haunting tale these natives begun to question their fate and the fate of their fatherÕs. Young Goodman Brown will forever challenge the mind of anyone who calls themself a religious person and the worldÕs current battle of religion can only add to its power.

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THE PORTRAIT OF WILLIE GEE

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Robert Henri an American painter and art educator was born in Cincinnati Ohio in 1865. He was educated at the Pennsylvania Academy of the Fine Arts and the Academie Julian and the Ecole des Beaux Art in Paris. In 181 he began to paint and teach in Philadelphia, where he met the painters John Sloan, William Glackens and George Luks. He inspired them to paint American life with vigorous dramatic realism. The Group moved to New York City, they joined other painters to form the Eight or the so-called Ashcan school. Henri broke with academic tradition, especially in his portrayals of the crude vigor of city life. He was not content to paint portrait s of the Aristocrats but he paint portraits of everyday poor people living in the city.

Henri was known for his warm, vibrant portraits, particularly of children. In his painting the Portrait of Willie Gee, oil on canvas, 104, his robust, free brushwork and strong compositions can be seen. Willie Gee was a newspaper boy who delivered Henri's paper at his Sherwood Studio at Sixth Ave. and 57th street.

Willie Gee is a naturalistic portrait where in most of the outlines are blurred and the colors are muted. Dark colors are use throughout the painting with the exception of the apple that was painted red. The red apple could be seen against the dark tones of colors and these contrasts draw my attention to the significant of the apple. This apple according to the artist is an inexpensive form of nourishment given by a benevolent society to newsboy. White color was used to depict Willie's eyes and his tie. Henri captures Willie Gee form when he placed him against a dark background. He uses heavy strokes with his brushes and each can be seen on the painting. He subordinated the background by not placing any objects there, so that all the Emphasis could be focus on Willie's face and the red apple in his hand. These I believe were the focal point of the painting.

Cheap Custom Essays on THE PORTRAIT OF WILLIE GEE The painting is not detail except for Willie's face where Implied light was used. The source of light cannot be seen but from the way the shadows fall it catches Willie's face on the right side. Willie's eyes are bright and hold a lot of sadness not found often in children. The red apple in his hand, did not take the tired, sad look out of his eyes. The light that falls on Willie's face seems to fall on the apple in his hand. The hand holding the apple was not shown, the apple seems to be balancing on air. The top half of the painting is somewhat detail while the bottom half is not detail. Directional lines also play an important role in the portrait of Willie's Gee. The sad look in his eyes drew my attention first to his face and then to the apple. This links the painting together so that our eyes will look from his face to the apple and from the apple to his face.

What captured my attention about this painting was the look on Willie's face. The colors used give an emotional effect so I have a direct emotional response to it. This painting was a reality not a sense of someone posing for a picture but real life. Everything about the painting depicted the time and what was going on with poverty and the poor. Many artists did not paint the poor and poverty but they usually paint the rich.

Henri taught at the Art Students League and other schools in New York City, championed juryless exhibitions, and traveled widely. The Art Spirit, a compilation of Henri's lectures, was published in 1 and is still read. The Portrait of Willie Gee can be seen at The Newark Museum. The painting is 1 1/4x 6 ¼. He died in 1.

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Magical Realism

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Magical Realism

"Like Water For Chocolate"

by

Laura Esquivel

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"A very Old Man with Enormous Wings"

by

Gabriel Garcia Marquez

Magical Realism, is chiefly style or genre originating in Latin America that combines fantastic or dreamlike elements of realism. The term was first applied in the 10 to a school of painters, and is used to describe the prose fiction of originally Luis Borges, as well as writers such as Gabriel Garcia Marquez and Laura Esquivel. Both writers Marquez and Esquivel interweave, in an ever-shifting pattern, a sharply etched realism in representing ordinary events and descriptive details together with fantastic and dreamlike elements. Both writes use this technique to both tell a story and truly express feelings, like love. Magical Realism allows a writer to step beyond the boundaries of realism to express a feeling, without stepping completely over to fiction. Lets look at few pieces of literature that uses Magical Realism, first "A Very Old Man with Enormous Wings", by Marquez, and second "Like Water for Chocolate, by Esquivel.

Marquez's "A Very Old Man with Enormous Wings" fulfills every characteristic of Magical Realism. This short story was first published in 155, and includes man aspects, which may be described as magical. In the story, and old man with a very poor set of wings is found and kept as a pet for several years. These wings were described by the doctor as "…so natural on that completely human organism that he couldn't understand why other men didn't have them, too"(charters 0). Marquez does not stop with the man with wings, but goes on to add to the story, the tale of the lady spider. The lady spider had the body of a tarantula and the head of a young girl. She was transformed to this state after sneaking out of her parent's home to attend a dance. The lady spider takes away the mans mob of spectators, leaving him ordinary in that he is still around even after his fifteen minutes of fame are over. This story has other elements of magic elements. For example, the overabundance of crabs, an infestation so bad, that the smell alone makes the baby sick.

Early I mentioned the detailing words used to express magic and feelings. In this story Marquez's use of numbers also seems magical in a sense. The story itself takes place on the third day of rain, not simply when it is raining outside. Father Gonzaga arrives before seven o'clock in the morning, not just early. And Marquez express feelings by saying, "The world was sad since Tuesday" (Charters 04). This describes the mood of the people as not only sad, but extraordinarily sad and for a space of time as well.

In this story the magical elements are treated as though they are everyday occurrences or at least somewhat expectable. The characters reacts to the old man with wings as one reacts to an out of the ordinary person, however once the novelty has passed, the man becomes ordinary.

Magical Realism has two sides, the magic and the realistic. In this story it realistic that the family holding the angle sells tickets for admission to see the angle in order to better their financial standing. The mobs that abandon the old man are very fickle, just like Tennessee fans are in reality; they desert their team for another. The lady spider is the new better team. And the old man might have better luck next year.

Marquez uses many other examples of Magic and Realism in this story, but let's look at another story. Let's look at "Like Water for Chocolate" by Laura Esquivel. Esquivel published this story in 18, she is from Mexico, and this was her first novel. She uses a number a magical elements mixed with real to life feelings and problems. The real part first, in the story there are three daughters, the youngest being Tita. Tita falls in love with a man named Pedro, but isn't allowed to marry him. Pedro feels the same way about Tita, and will do anything he can to be close to her. So, Perdo decides to marry Tita's sister Rosaura. This might seemed far fetched, but it is not magically part of the story. The magical part comes in a little later, for example when Tita is making Rosaura's wedding cake while thinking of Pedro and begins to cry. She drops a single tear into the meringue of the wedding cake, and through her feels ruins the cake and makes everyone sick. Another quick mention of magical elements is when the girl Gertrudis was sweating pink sweat that smelled like roses, a lovely strong smell (5).

Both authors do a very good job of conveying the feeling of their characters using magical elements while present a true to life story. This style of writing is not a new genre, it has been around for nearly 85 years, and is now being used by much more that just Latin Authors. It is a strong way to express feelings while telling a story, and the style is being adopted by many authors throughout the world.

Esquivel, Laura. "Like Water for Chocolate". New York Doubleday, 18.

Love and Other Illegal Facts. Esquivel, Laura. October 16. 1 Jan 001.

http//www.salom.com/oct6/interview61104.html

Garcia Marqez, Gabriel "A Very Old Man With Enourmous Wings." The Story and its Writer, Ann Charter.Bedford/St Martin's, New York 00

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The Undiscovered Continent

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The Undiscovered Continent

The American beliefs of the 150s were much different from those held today. Racism was at its highest, the civil rights movement was just emerging, and Ralph Ellison made a statement about race relations with his 15 fiction novel Invisible Man. The first chapter of the novel depicts a young black man that faces ridicule and humiliation in order to improve himself. "Battle Royal" makes a powerful statement about American race relations during the time. Ellison uses symbolism to make his statement. Symbolism in Ellison's "Battle Royal" contributes to the story's themes of an America that suppresses and objectifies certain members of its society.

The narrator is a powerful speaker, and because of this gift, he is invited to speak at a town meeting that includes influential members of white society. He believes he is brought to the meeting to give a speech but upon arrival, he "discover(s) it was on the occasion of the smoker" (Ellison ). He is also told that a battle royal was going to take place and that he is to participate. Of course, "the battle royal came first" (). The smokers' meeting provides a subdued but commanding symbol for Ellison's story. The homogenous and elite group disillusions a young black man into coming to speak at their meeting, which demonstrates their desire to place him on display as something different and strange from them. The group places no value on the boy's time or dignity. The group literally beats him down and displays his place in society. They make him fight like an animal and take all human qualities from him. This group demonstrates the belief system that existed in America during the early fifties. The society is segregated and is afraid to be accepting of differences. A few groups make decisions and create the value system. The smoker's club symbolizes these elitist within 150s America.

During the meeting, Ellison introduces a female stripper who dons an American flag tattoo. This character is also dominant symbol within the story. She not only supports the themes of objectivity and suppression, but also introduces the idea that another part of society outside of race experiences this suppression. She does not speak but only dances, which makes her an object for the men to gawk. She is in the scene only for the visual pleasure she provides and exhibits no human qualities other than her body parts. Ellison demonstrates this dehumanization well with his description of her body "Her breasts were firm and round as the domes of East Indian temples, and I stood so close as to see the fine skin texture and beads of pearly perspiration glistening like dew around the pink and erected buds of her nipples" (4). The author describes her body with such detail that each part almost becomes separated from the girl. Each body part is an object; therefore, she is an object. This symbol, which ironically wears an American flag, continues to demonstrate the 150s society that dehumanizes and objectifies certain sections of the society.

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As the story continues and the battle royal resolves, the teacher, who invites him to participates, hands him a leather satchel that contains a scholarship to the state college for Negroes. The teacher hands him the briefcase "I was so moved that I could hardly express my thanks. A rope of bloody saliva forming a shape like an undiscovered continent drooled upon the leather" (8). This drop of blood provides another powerful symbol in Ellison's story. He describes the continent as undiscovered. The journey the young black man was about to take could lead to undiscovered territory. The journey could take the boy to a land where everyone is treated equally and has the same opportunities. The student could find a place where people are not objectivities and are not forced to participate in dehumanizing activities such as the battle royal. This land, just as the undiscovered continent of blood, is uncharted and unexplored but is possible. Ellison's symbol makes this compelling statement.

Ellison's "Battle Royal" makes an eye-opening statement about not only American society in the 150s, but also today's society. Although great advancement has been made in race relations, the battle is not over. Everyday stories of race wars and hate crimes top headlines, which demonstrates the battle is never ending. The narrator faces a physical and brutal battle that would not likely occur in today's society, but minority groups fight the same battle daily through affirmative action cases and other race issues. Ellison uses symbols throughout his story to demonstrate these problems that plague society. His symbols demonstrate how individuals are objectified and dehumanized. They also demonstrate how society segregates itself into groups that look to exert some power. His symbols also give hope that a nation can change. The 150s undiscovered continent of blood is no longer undiscovered, but is still being explored today.

Works Cited

Ellison, Ralph. The Invisible Man. New York Random House, 15. p. 1-10

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The weight of Feelings

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Our staff of freelance writers includes over 120 experts proficient in The weight of Feelings, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your The weight of Feelings paper at affordable prices with cheap essay writing service! The Weight of Feelings

In The Things They Carried Tim O'Brien describes the world of the grunt. The story starts out with a fairly technical list of military equipment, rattling out weights of guns and ammunition. The descriptions give us a sense of the weight a soldier bears to war. However, as the story progresses O'Brien begins to draw attention to the weightless burdens of the soldiers. The soldiers have on their backs and shoulders memories from home, of love, or in LT Cross's case, the lack of love. They carried Vietnam itself, the air, the smells, the dirt, even the sky around them weighed down on their minds. In the end, we see that what weighs the grunt down is not the 0 clips of 7.6 ammunition, or the 0 pound radio, but the burdens that cannot be measured on a scale. The most painful of these burdens, we are told, were the fears, feelings of cowardice, embarrassment, and terror. As O'Brien describes it, the reason these young men went to war was not because they wanted to fight or be heroes, but because their fear of being cowards. The emotional burdens carried by the soldier in Vietnam outweighed the physical ones, but it was the also the emotional burdens that pushed the men forward along their pointless marches through the jungle.

What holds the men back the most is the fear of being seen as a coward. They made themselves tough, at least on the outside. They laughed at the ones that could not hide their fear, the ones that had shot themselves to escape Vietnam, even though in the back of their heads they were envious of the ones that flew away free. During firefights they would all lose the façade of composure, praying for their lives, but afterwards they would make themselves rise again. They felt ashamed of themselves but could not show it. They made themselves act normally, make jokes about the dead, and laugh it all off. But on the inside they all felt the same thing, the feeling of fear, and the immense burden of being alive in Vietnam. As O'Brien puts it, "They were afraid to die, but even more afraid of showing it."

The burden of love is what weighs down Lieutenant Jimmy Cross the most. He loved Martha so much that it hurt him. What hurt him the most was that he knew that she did not love him back He because lost in his mixed thoughts of love, lust, and jealousy. He wanted so much for her to be his, that he became paranoid about her. For this reason, Jimmy Cross inadvertently allowed the death of Ted Lavender. He blamed himself for it, feeling the guilt of being allowing himself to be blinded by his love. He burned the pictures of Martha, but realized that it was merely superficial, and did not change his thoughts about her. He hated her for loving her, and felt guilty about losing his sense of responsibility for his men over a girl. He forced himself to throw away love, and enforce strict field regulations; to forget his feelings, in order to save his men.

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The experiences of had by the men of A company shows that when they went of to war, they took with them not only guns and ammunition, but all their feelings of fear, love and loss. The feelings they carry with them are the things that make them fighters. Half the time, the actual equipment for military use is thrown away, or even if used, doesn't serve its purpose well, such as the mine detector. The fact that they have no physical purpose for being in Vietnam except for the fear of failure and embarrassment, and the arsenal of America cannot prevent Ted Lavender from getting shot while taking a piss shows the true futility of the entire war.

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Grown Up

If you order your cheap essays from our custom writing service you will receive a perfectly written assignment on Grown Up. What we need from you is to provide us with your detailed paper instructions for our experienced writers to follow all of your specific writing requirements. Specify your order details, state the exact number of pages required and our custom writing professionals will deliver the best quality Grown Up paper right on time.

Our staff of freelance writers includes over 120 experts proficient in Grown Up, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your Grown Up paper at affordable prices with cheap essay writing service! To be grown up is not just a physical thing it is also mental actually it is all mental. What does being grown up actually mean, does it mean to act mature all the time? Does it mean to take care of responsibility? Does it mean you have authority, or does it mean you are watched and judged for all actions by all people every single time you go out in public? Well, being grown up means all these things and more but acting grown up is just the beginning.

When people talk about being grown up the talk about maturity and acting mature and doing nothing else except acting a certain age which actually is not definite. The means of acting a certain age is not definite because you can be grown up at any point in time in your life. If there was a 10-year old kid sitting around running the house and taking care of responsibilities in the house he might be considered grown up because he is taking care business. But, he might be acting his age like the kids in "Through The Tunnel" how they were pretty old but still acting like kids. Kids sometimes are justified as young, arrogant, selfish, spoiled, brats. There are some so-called "grown-ups" that act just as they do but with even less sense.

Grown ups have lots of responsibility especially when they are living on there own or with a family. The reason why they have so much responsibility is because they have to do a lot of things to become successful in life much like kids but not quite the same. Kids responsibility is to go to school and learn so that they can be successful. Being grown up is part of that responsibility by that meaning successful. So to be grown up people need to take care of all responsibilities and know how to maintain that status that person is at or improve where they are in life.

What it means to be grown up has no definite answer because you can be gown but not no how to be grown. Being grown up is basically though there is no true answer just means respect the inner you and take care of you and the things that come along in life in a responsible way. Although being "grown up" may sound easy it isn't it takes work and that work is knowing how to think smart and use intelligence to guide you down every path you take or there will be no being grown up.

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