Eisenstein

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Our staff of freelance writers includes over 120 experts proficient in eisenstein, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your eisenstein paper at affordable prices with cheap essay writing service! Sergi Eisenstein 1188-1480 was a Russian filmaker well nown for polititcal persausain and fine art. Eisenstien has made many contributions to modern film. He shaped the socail and artistic potential of cinema by combing realistic narrative with symbolic imagery.

Eisenstein used the tchnique of montage, the assembling of cinematic shots in rapid successions. He used different angels and views to manipulate human emotion. His geometric composistions arre never static. The individual shots are full of dynamic movements. He does edit the shots together but sees each frame as a unit with dynamic charge of one frame into conflict with the charge of the next. Although the central character of Eisensteins films are the mass, he never forgets that the mass consist of individuals. He invariably shows the viewer the impassioned faces of men and women.

In his film the Battleship of Potemkin (15), he uses all of these techniques. The theme gets its flesh from Eisensteins depicition of the people who embody it.

In the first act Men and Maggots the workers meat is infested with maggots. The Czarist doctor looks at the meat closely with his glasses to magnify and claims the meat is wholesome. Eisenstien stresses the workers pain by filming the muscles of a workers back as he sobs.

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In the second act, the men rfuse to admit their food is edible and rebell. This leads to a violent sequence and finally the ship belongs to the workers. One sailor has been killed in the battle that leads to the third act, Appeal from the Dead. The workers fil pass it as his body lies in state on the shore. This section of the film moves very slowly as Eisenstein emphazes how the dead mans actions touches and unites the people of Odessa. He evokes our sympathies with loving shots of the sorrowing faces.

In the fourth act, Odessa Steps, Eisenstein creates the horror of the slaughter with the individual reactions of the people of Odessa. The workers race out to the Potemkinin their boats carrying food to the workers on the ship. Other Odessans watch and wave from the shore. Suddenly, Czarist troops open fire at the men, women, children, and old. A mothers son was shot and falls on the steps. People are walking on him. Eisenstien closely focuses on the little boys hand as people are stepping on him.

In the fifth act everyone reunites. Both ships are waving to eachother and cheering because they were not ordered to fight eachother. As a viewer i was relieved to see this that there would not be another battle and innocent lives lost. The sailors looked so happy and grateful to not have fought. Unlike the Odessa Steps where it leaves you in such a rage and upset at the same time. But i think that was what Esenstein was trying to do. To feel what the charactors were feeling.

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Cult Of True Womanhood (The Yellow Wallpaper)

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Cult of True Womanhood

Prior to the twentieth century, men assigned and defined women's roles. A woman was thought to be incapable of caring and making decisions for herself without a man to guide her. In the story, The Yellow Wallpaper, the author, Charlotte Perkins Gilman, delineates the life of an intelligent, young woman who is a wife and mother. She assumes her role as the nurturing mother, yet is submissive and passive to the patriarchal head. The lady suffers from a psychiatric disease that makes her hallucinate, anxious, and depressed. The patriarchal head, John, is a physician and assumes full responsibility for his wife's care and diagnosis. The main character's older brother, whom is also a physician, makes a prognosis that concurs with John's, thus leaving her no choice but to subject herself to the torment of the yellow wallpaper room. The reader presumes that John is not a psychiatric doctor by the side comment the main character makes "John is a physician, and perhaps that is one reason I do not get well faster."(p. 704) John's treatment for his wife's disorder is The Rest cure. The medical profession's godlike attitude in "The Yellow Wallpaper" demonstrates man's arrogance during this time period toward the strength and vitality of women. The Rest cure prescribed entails "phosphates or phosphates-whichever it is, and tonics, and journeys, and air, and exercise, and am absolutely forbidden to "work" until I am well again."(p. 705) The mental disorder in the lady's head is permitted to continue and manifest in its solitude. As a result of the wife's submissiveness and obedience to her husband's "Rest Cure", her disorder becomes increasingly worse. A psychiatric disorder left untreated will manifest and become deeper rooted within the victim's mind.

The Yellow Wallpaper reflects the idea of the Cult of True Womanhood, which binds women to the home and family. John "imprisoned" his wife in a house set in the countryside, miles from family, friends and society in general. Women of this time were constricted to the set parameters that men determined. When the mentally-distressed woman first arrives at her dwelling abode, she describes it as "The most beautiful place!"(p. 704) Through the narrator's description, we obtain an image of an almost prison-like building. Women were conditioned to accept the boundaries set by their husbands and remain in place, in the private sphere. The narrator is treated as a prisoner by her husband. "It is quite alone, standing well back from the road quite three miles from the village."(seclusion) "there are hedges and walls and gates that lock" (locked in) "and lots of separate little houses for the gardeners and people."(guard shacks)(p. 705). She is not allowed to sleep in the room that she wishes to because John must be by her side throughout the duration of the night, "He said there was only one window (in order to keep watch of the prisoner) and not room for two beds, and no near room for him if he took another."(p. 707) John even makes excuses that seem credible as to why his wife must stay in the nursery, "I was to have perfect rest and all the air I could get. So we took the nursery at the top of the house."(p.707) The "enforcer" believes that by restraining his wife and keeping her away from the public sphere she well improve physically and mentally.

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Women played the role of nurturer and housekeeper. Social stability was maintained by women who were dedicated to the welfare of home and family. The main character feels even more nervous and depressed because she is not able to fulfill her "duties" as mother and wife, "It is fortunate Mary is so good with the baby"(p. 705). She feels worthless because she is not the one caring for her child. Men imposed the idea on women that they were emotional servants that must follow their guidelines and remain within the home. Those who stepped outside of the "home" sphere and into the "public" sphere where "they did not belong" were looked upon by society as outcasts. Women attempted to overthrow the traditional definition of women's roles but faced much confrontation. Just as the author Charlotte Perkins Gilman struggled to throw off the constraints of patriarchal society in order to be able to write, the main character feels pressured to hide her writing, "I did write for a while in spite of them; but it DOES exhaust me a good deal--having to be so sly about it, or else meet with heavy opposition"(p. 707). She conceals her writing in a desk drawer so that the housekeeper will not find the emotional journal entries she makes expressing the frustration and imprisonment she feels. It is against the incredible pressure exerted by men to retain control that women had to agitate.

John believes that his wife's recovery depends on her willingness to get well. He views her illness as a personal fault, she chooses to be exhausted and mentally drained at all times. "John does not know how much I really suffer. He knows there is no REASON to suffer, and that satisfies him."(p. 708) The narrator shows how although she has a formed opinion (and probably successful idea for her treatment), she is still swayed by her husbands direction, I sometimes fancy that in my condition if I had less opposition and more society and stimulus--but John says the very worst thing I can do is to think about my condition, and I confess it always makes me feel bad."(p. 706) The wife is submissive to her husband's word and actually believes his prognosis that it is not a mental disorder and rather self-induced, "Of course it is only nervousness"(p. 705). John makes his wife feel guilty for not performing her role as wife and mother, "It does weigh on me so not to do my duty in any way!"(p. 705) She feels as if she impends on John's life, "I meant to be such a help to John, such a real rest and comfort, and here I am a comparative burden already!" (p. 705) She believes that her mental illness is her fault and that she can, if she chooses to; control her outrage and actions, "I get unreasonably angry with John sometimes. I'm sure I never used to be so sensitive. I think it is due to this nervous condition."(p. 708) John drills the notion into his wife's head that she lacks self-control. She "take's pains to control herself" and ends up feeling exhausted. As a result of the husband's lack of emotional capacity and insensitivity, the narrator's recovery is hampered. A mental disorder is a disease that must be treated and is by no means self-induced.

The Yellow Wallpaper presents a very interesting perspective of how a man can influence and control a womans life from a feminist point of view. The narrator's condition is treated by the insensitive husband as a personal issue that can be managed. Through the author's usage of diction and personification of the wallpaper as an imprisoning force, we see rather the sanity of the main character and the insanity infringed on her. Just as a physical disease must be diagnosed and treated, a mental disorder must be cared for. Obviously, any person isolated in a room with yellow wallpaper would be driven to insanity. Clearly, the "Rest Cure" prescribed by John was ineffective. The lack of stimulation and society engagement allowed the mental disorder to grow and overtake the narrator's mind.

Please note that this sample paper on Cult Of True Womanhood (The Yellow Wallpaper) is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Cult Of True Womanhood (The Yellow Wallpaper), we are here to assist you. Your persuasive essay on Cult Of True Womanhood (The Yellow Wallpaper) will be written from scratch, so you do not have to worry about its originality.

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Fantasy

If you order your custom term paper from our custom writing service you will receive a perfectly written assignment on fantasy. What we need from you is to provide us with your detailed paper instructions for our experienced writers to follow all of your specific writing requirements. Specify your order details, state the exact number of pages required and our custom writing professionals will deliver the best quality fantasy paper right on time.

Our staff of freelance writers includes over 120 experts proficient in fantasy, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your fantasy paper at affordable prices with cheap essay writing service! Kari let her legs dangle over the edge of the ship as she stared out to the horizon. Clear skies, calm seas, and nothing to do--this was not exactly her idea of a good time. The warm sun glinted off of her dragon skin bodysuit, casting iridescent shadows that swayed about on the deck in time with the ships gentle rocking. One of the crewmen walked by, he was a gruff, dirty fellow with a scraggly beard and a patch over his left eye. Kari smiled warmly to him, but he responded by giving her a wide berth. With a sigh, she stared back out at the limitless expanse of water.

She got out a bible and started reading

Then god said, glet us make humankind in our image, according to our likeness and let them have dominion over the fish of the sea and over the birds of the air, and over the cattle and over all the wild animals of the earth, and over every creeping thing that creeps upon earth.h

So god created humankind in his image, in the image of god he created them; male and female he created them.

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She told her self, why this canft be true. Why do we have to live hidden scared of the animals that out ran this world? The world was opposite to what the bible had told. Humankind did not have dominion over the fish of the sea and over the birds of the air, and over the cattle and over all the wild animals. We were the lowest and the weakest species living in this world. For more than a thousand years, it has been like this. Human kinds have been trying to defeat and take over the world from the beasts, but they are furious and evil.

Kari stepped onto the forbidden land Gayer. She took a mighty step onto the land and saw the shadow of the ship behind her flying away into the safety of the water far away from the land as the sails could take them. From here on, she was all by herself, and she had to protect herself from any blood pumping animals which would love to byte into her flesh. She walked through the dark forest; eyes wide open, making sure that nothing was near her. She did not want to encounter any beast on her way to the castle. She had to get there fast as possible, she had to urgently get to the castle and see the king who was suffering from a poison which was circling through out his body. Fourteen days ago, the castle was attacked by the beasts of the forest and in the battle; the king was poisoned by the evil monsters of the forest. That is all that Kari knows, but she had to get to the castle right away, and she didnft have any time to waste with any animals on the way. But luck wasnft on her side today, because from no where a Lionous had showed up, and was staring right at Kari. She drew her sword, from her waist and held it up in the air, waiting for the Lionous. Lionous was a large looking lion, around a size of an elephant. All the animals have been mutated after a rain of rocks came down from heaven. She held her sword tight and started charging at the beast, yelling her lungs out, screaming with hate. She swung her sword and the beasts head separated from the body as if it was never connected.

The head of the beast slowly dragged down from the body and bolted down onto the ground. Blood sprinkled everywhere; the forest was a strawberry jam. She cleaned off the blood, splatted on her sword. She wiped it clean using the leaves on the tree. She places her sword back into the case and started walking toward the beast which just tried to rip her open. She knelt down and ripped out its tongue, just by using her hands. She tore it out and started heading off again. She kept and kept walking trying to get to the castle. And after her long walk thought the forest, she finally found the castle. She immediately run to the gate of the castle, and told the guards that she was here to see the king. They guards kindly let her through and escorted her to where the king laid. The priest spoke, the kind has been poisoned by the beasts in our last attack by the beasts. The king is dying fast, but there is nothing we can do. We have tried to go the Crukule mountain, where a special herb exists, but that is where the beast lay. We have sent many solider there to recover the herb, but none of them us ever returned to this castle. We do not know the where about of these soldiers. We are guessing that the beasts have killed them.

gSo what we want you to do is, to go and find us the herb. The king will not last much longer, so you must hurry,h the priest said.

She looked at the king and ran out back in to the forest. She ran, and ran as fast as her legs would take her. She never looked back and ran right thorough the forest.

After a long hour of running. She finally made it to the cave of the mountain. At the far end of the cave was where the herb grew, she had to get there as quickly as possible, and if she could, she wanted to get there without a fight. She walked in. And where ever she looked there was blood and bones of the soldiers would had tried to fight through. She kept walking inside, and without any warning, beasts started coming out and started assailing her. She had no time to waste; she drew her sword and cut through each and one of the beasts which were in her way, like a boat cutting through the water. She kept running, running through the beasts, blood pouring out like a fountain, cries echoing inside, nothing stopped her way.

She finished slaying all the beasts, except for one at the end, which was not like all the others. It was staring at her eyes waiting to kill her. She had to get through the beasts; she ran at the beast and started fighting with the beasts. It was much stronger than the other one which she fought with. It was much stronger. After a long battle against it, Kira won. She had stabbed the beastfs right through the head with her sword. All she had to do was find the herb, which lay in front of her and take it back to the king.

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Shakespeare's Interwoven Classical Sources in Midsummer Night's Dream

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In a Midsummer Night's Dream, as well as in his other works, Shakespeare has referred to several classical sources. Through this process of rewriting and "modernization," the classics are kept alive. In this particular work, the four main stories can be tied together by works such as Ovid's Metamorphoses and Chaucer's Canterbury Tales.

The story of the quarrel between Oberon and Titania, the King and Queen of the Fairies can be linked to the romances of the four youths, Lysander, Demetrius, Hermia, and Helena because they both drew from the Metamorphoses. Hermia swears "By the simplicity of Venus' doves," taking us back to the silver doves that drew the love-goddess away in the final stanza of Shakespeare's narrative poem based on the Metamorphoses. She also swears "by Cupid's strongest bow, by his best arrow with the golden head," an explicit allusion to the first book of the Metamorphoses. Hermia, then, is swearing her love for Lysander by Apollo's love for Daphne. The quarrel is also interwoven with the Metamorphoses because the name "Titania" is derived from Ovid, where it refers to a range of goddesses of the night.

The stories of the wedding between Theseus and Hippolyta and the preparations and performance of a play by local, common men can also be connected by the Metamorphoses. The play, an Ovid story of Pyramus and Thisbe, was performed at the wedding of Theseus and Hippolyta. Pyramus and Thisbe, Salmacis and Hermaphroditus are book four of the Metamorphoses. Clearly, Shakespeare derived this love story from Ovid and incorporated it into Midsummer Night's Dream.

The wedding between Theseus and Hippolyta can also be interwoven with the story of the four romances between Lysander, Demetrius, Hermia and Helena. They both play a part in Chaucer's "The Knight's Tale." In lines 10-11, it states, "There wedded he the queen, Hippolyta, and brought her home with his to his country." The character of Theseus is also included in lines 645-646 where it states, "With Theseus and his squire principal, is risen, and looks on the merry day." The literary source of the romance of the young lovers in Theseus' charge is also "The Knight's Tale" in the Canterbury Tales. Initially, Shakespeare's chosen sources appear confusing, but upon examination, it becomes clear as to his ties and his intentions for them.

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Uncle Tom's Cabin

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UNCLE TOMS CABIN

Chapter 1- This book sort of opens with two men talking about slave trade. I dont understand why people have the nerve to talk about trading people like they were baseball cards. When slaves were traded, families were broken up, and I would be miserable if I couldnt be with my family.

Chapter - In this chapter, a slave named George invented a machine for cleaning hemp. Instead of his master being proud of him, his master says let a nigger alone....and theyll invent labor-saving machines. I dont like the way that they say the word nigger. Its really offensive, but I guess that is how it was back then.

Chapter - This is the chapter that George tells Eliza, his wife, that he has decided to try to escape to Canada. He says that his master has worked him too hard for too long. He says to look out for their son Harry. Harry is male, and when fate strikes, it will pierce through Elizas soul.

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Chapter 4- This chapter introduces Uncle Tom. I think that Unlce Tom and his wife sound like nice people. It explains how George Shelby, the masters son, is teaching Tom to read and write. I think that it is sad how we take for granted that we go to school and can actually read and write. Blacks hardly ever knew how to do these things.

Chapter 5- Tom is sold along with little Harry. I dont know how people can sell other people because no one owns any one else. I dont know why the blacks just didnt over power the whites and take control of everything. That would have been my plan.

Chapter 6- Eliza escapes with her son and husband. I would be so thankful because I know that my mother would do something like that for me if I were in that situation. She is such a great women and I love her so much!

Chatper 7- While running away, Eliza cannot eat because she is in so much fear. I think that if I was on the run, and if I got caught and would be killed, I would not eat either. Its all too much to take in, in my opinion.

Chapter 8- There is ice in the river that they need to cross. Eliza is lost on what to do. She goes to the house of a kindly housewife. I am so glad that I have great friend that I too could go to in hard times.

Chapter - Eliza is about to cross a river. When she gets to the other side, there is a man there. He takes her to a house that is old and abandoned and there he gives both she and her son food, money, and clothes! What a great guy!

Chapter 10-16 Uncle Tom gets caught trying to escape. He is whipped until he cant move anymore. George, Elizas husband, is trying to make an escape. He gets to a tavern in disguise. He fools everyone, but then reveals himself. He then says I will fight for my liberty with my last breath. Meanwhile, Haley is going crazy buying slaves. I feel really sorry for all the slaves before the Civil War. I would hate to live a life like that! I would just be so awful. I am so thankful that I dont have to. Eliza is still in the company of friends, which brings to mind the underground railroad. I bet that there had to be a lot of trust in the Underground RailRoad, because of all of the people hiding the slaves. But, I am guessing that people were dishonest and told where the slaves were. You have to learn who you can trust.

Chapter 17-1 Slave hunters are still trying to track down Eliza, George, and little Harry. So, they decide to move in the night. I think that that would be a very good idea because its not as easy to see people in the night, especially when you dont have technology like flashlights and things. Mrs. Ophelia buys her a little girl so that the girl wont have to belong to a cruel master. That is total service right there. Doing something for someone like saving their life is priceless, and they will be rewarded for it if they havent already.

Chapter 0-6 Her new slave girl is everything that she could have imagined. She loves the girl like her own. She is a beautiful dark girl with glittering eyes, and sparkling teeth. When Mrs. Ophelia decides to give Topsy, the slave, a bath, she notices the giant welts and clloused spots all over the girls body. Mrs. Ophelia decides to teach Topsy all that she can. She has Topsy confess all of her sins, when in reality, Topsy has none. I wish that I was as good and pure as Topsy as to have little or no sins. That would be really nice indeed. Topsy is a bery good maid. She does everything with perfection and elegance. Even though it seems to be going great, Topsy is really hurt and says to Ophelia Nobody can love niggers. She is very hurt and upset by this, but I would be also.

Chapters 7-4 Eva dies and her husband St Clare is deeply hurt. I remember when my grandma that I was really close to died. It was like a part of me died with her. Me and my grandma were very close, but not even ask close as a husband and a wife. It was unbelievable to bare for St. Clare. Tom tells St. Clare about Christ. He gets him to pray, and he immediately becomes closer to Eva. St. Clare offers Tom his freedom, but Tom does not go. He wants to fully convert St. Clare and insure Christian happiness for him. St. Clare is worried about sending Tom away. My cousin just left on a mission last night, and I was worried about him going, but you just have to know that they are in the right place at the right time doing the things that they know they should be doing, so, I told him goodbye. Ophelia tells Clare that Tom will be extremely cared for in the North. Later on, Clare is stabbed, and he calls upon Tom to pray for him. He dies. When that happens, Tom is the sold to a man named Mr. Legree. Mr. Legree will not let Tom even speak of God on his plantation. Tom tries to help the slaves on the plantation. He tries to help a lady but then is roughly flogged for it. I would hate to bet beaten. It is probably the worst thing in the world.

Chapter 5-40 Legree is nothing but a loser drunk man that will never give up an sort of drink if he life was on the line. He is afraid of Cassey, a woman slave. Since is feared to harm her, he hurts a helpless Tom instead. There has never been someone more helpful to Tom then the woman named Cassey. She is something. I remember the day that I met my best friend. It was a whlie ago, but we have been the best of friends ever since. She is a really big example in my life and I love her a lot. She means the world to me, and if I lost her, it would be the end of the world as I know it. I also feel that way about my mom and dad and brother and sister and aunt and uncle and cousins. All the important people in my life are really important and I do NOT want to lose them at the least bit. I love them all.

Chapter 41-44 Tom is about to give up. He as tried everything from forming an escape party to trying to kill himself. His master now says that Tom is trying to die, the troublemaker. Its too bad that people have to lose hope like that. No matter what happens in this life, we should never lose hope. Uncle Tom finally dies. He is then burried on a sandy knoll. All of Toms friends have found freedom, its too bad that Tom could not be there with them.

Chapter 45- This is the ending chapter, just giving hope and faith to those slaves that have none. She states that she has only given a faint shadow, a dim picture, of the anguish and despair that are at this very moment, riving thousands of hearts, shattering thousands of families, and driving a helpless and sesnitive race to frenzy and despair. She says that people who have slaves will be held accountable before God.

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Is demand in the school kiosk decreasing due to the sudden rise of prices of certain products?

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For as long as I have been in this school, there has always been a kiosk and a dining room, plus the presence of vendors down at the entrance at the morning and afternoon. The dining room has change almost every year since my first year in this institution in 4th basic, but the kiosk has never changed of being in charge of the parent directive, at least until this year. This year, the school board decided to change the control of the kiosk to the same company that runs the dining room, Eurest. In this essay, I will try to review the problems that the new kiosk has had to put up with, specially the problem that involves demand.

Indeed there have been many changes this year, and for the best, since new products have been introduced, such as ‘sopaipillas', ‘calzones rotos', and many others. Everything seemed good through the first half of the year, but nothing is perfect. Problems started to appear. Products started to disappear, whilst other were introduced, such as the ‘calzones rotos'. Also prices gradually started to rise. This has decreased demand, especially during the lunch break, since that is the time were the kiosk has more competition, because during this time, the dining room is selling lunches to students and because a man in a trolley goes to the entrance of the school to sell snacks, known to everyone as Juan Carlos. Maybe this doesn't concern to Eurest, since they run the dining room also, so still, they have a majority in the market shares that is Saint John's food vendors, but clearly is not as much as it is during the first to breaks, when they have a monopoly. The decrease in demand has been very clear, because during the first half of the year you could see easily that many students went to the kiosk to buy some food, and you could see really long queues, most of the times the students had to run to avoid these queues, during all breaks, even during the lunch one. But, from half of the second trimester and on, these queues have been shortening down, every day a little bit more, especially during the lunch break, although you can say that for some products is a bit of a strategy, like soda can's. The price of these rose only twenty pesos, making a change of only 6.6%, but since we are in summer, and we are experiencing some hot weather now, the demand for any kind of drink would go, but I think that for this to work, they have to raise every single liquid products' price up, which they haven't. So maybe it is only a coincidence.

The change on demand has been clearly notorious, but I thought it might be pertinent to make a little questionnaire to several students, to get their opinions on this matter (To see the questionnaire go to annex 1). A total of four simple questions were asked to thirty students from first, second and third medio. Considering that there are more than a thousand students in this school, and that between those three levels there are at least two hundred and fifty students, the results are pretty insignificant, but they are very good to have an idea of what I am talking about.

Basically, twenty five out of thirty (8.%) told me that they are very displeased with the sudden rise of prices, whilst the other five (16.6%) told me that they were unconcerned about this. But, later when I asked them the second question all 0 answered that they were still buying at the kiosk. This is funny, since they are unhappy about the prices, but they still buy the products. This clearly shows us, that the price elasticity for these products is very inelastic, since there is a less than proportionate decrease in quantity demanded. This can be seen in the next graph.

After the third question, sixteen out of the thirty students (5.%) answered that if their income increases they would buy more of the products, and the remaining fourteen (46.6%), said that they would spent the same as before and the rest of their income would be saved. This, tells us that the income elasticity of demand is also inelastic, meaning that if there is an increase in income, there would be a more than proportionate increase in quantity demanded. This, also, can be seen on the next graph.

And finally for the final question, nobody could say to me why the kiosk chose to raise its prices.

Clearly we have somewhat of a situation here, since there is an increase in demand due to the income raise for some students, but this increase is lower than the decrease in demand that have regular students. We can see, that the kiosk in this case is like a restaurant after its first week of opening, since during the first week the restaurant does everything possible to win their clients, but after they have settled down, their only concern is to keep these clients, instead of worrying to have more customers. The same happens here during the first half of the year, the kiosk, was almost perfect, but then, from the half of the second trimester and on, they stopped worrying about the costumers, thus the stop worrying about the students. Just like a restaurant, they stopped worrying about us, and started to worry about themselves, so they raised prices to have more profits. My only advice to the school directive, is to find someone that starts worrying about the students, since we are in a school were the most important thing is us.

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Poetic Existence: A Personal and Social Imperative

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Introduction

The topic of this lecture strikes one as puzzling because it has an air of familiarity and yet it seems to startle one into trying to figure out what poetry is. Then one wonders what poetry has to do in the lives of individuals and society. It is quite easy to relate poetry to poems but what makes poems cardinal to existence seems unclear. Does it transform or enrich individuals and communities? How is this done?

As one ponders these questions, some commonly held ideas, derived from impressions of poetry the study of prescribed poems in schools begin to come to the fore. One recalls how "poems canonized by scholars" were thrust on students and how they were expected to respond enthusiastically to these classic in the poetic tradition of Literature. But alas, one could neither muster nor feign the required feeling of excitement; most of the poems seemed to parade verbal puzzles that proved quite formidable. How could such writings as obtrusively affronted one's senses be responsible for indicating a worthwhile life style?

If poetry presents one with this high measure of unease, then how desirable would a poetic life be? Is poetry not a collection of pieces of writing that are notorious for the uneconomic use of space on pages of paper? Are the uneven lines on paper, not a result of dislocations of normal linguistic patterns? Is the stock of trade of poetry not the distortion of conventions word, phrase, clause and sentence order? Do poetic manipulation of sounds, images and meanings ever facilitate communication? Is poetry not a recondite method of transmitting experience? If one is unable to grasp the poetic import and is successfully denied involvement in the transmitted experience, how can he benefit from the supposed bounty provided by poetry? These questions not only suggest the reader's notion of the formidability of poetry, they underscore his frustration.

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The reader's frustration stems form the manner in which the "outer form" of poems places obstacles on the reader's attempt to gain entry into the secret bowers of poetry. The situation is worsened by the fact that teachers of poetry openly declare that the daunting linguistic paraphernalia constitutes the hallmark of real poetry. Is it not normal that many readers naturally react negatively to poetry from their perceptions of the technical or formal linguistic machineries or devices in written texts? These devices, all too often, rudely confront and force many a reader from a rewarding poetic adventure.

Not even well intentioned explanations of the technicalities of poems can successfully change these fairly common perceptions of poetry. Neither explaining that what is referred to as "uneven lines" are specific arrangements of "sounds of words" that constitute lines or verses nor demonstrating how metre as measured movement verse ad the length of lines can generated any renewed interest in poetry. Ask the reader if he did enjoy the rhythmic effects produced by systematized deployments of stressed and unstressed syllables in intonational languages as well as structured emphasis on syllables in tonal languages, the response would be, how can one enjoy what cannot be accessed in the first place? No one could blame such a reader because iterative structuring of sounds through peculiar lineation configurations in the written text constitute graphic representations poetic effects that become truly manifest only through performance or oral re-creation. Thus the frustrated reader is cheated out of being part of rhythmic impetus of poetry by written texts even though this rhythmic impetus remains an indispensable vehicle for the poetic experiences that connects man with the essence being.

Modern critical theories do not ease the pressure put on the reader either. For example, Russian Formalism postulates "literariness" as what distinguishes poetry from other discourse because it "defamiliarizes" by making language draw attention to itself. By insisting the poetic experience be seen virtually as mere sensitivity to the distinctive devices by which meaning is either deployed or subverted rather than a participation in the meaning implicated in poetry, formalist approaches to poetry subvert the fervour necessary for a poetic involvement in life. Is it any wonder that that poems are regarded as obscure propositions that have little or no reward to offer for the great effort they demand? How then can these kinds of discourse generate attraction towards poetic existence?

This uncomplimentary view of poetry, which is based on the premise of impenetrability, seems quite logical but it is also important to not that it originates from "restrictive or specialized" consideration of poetry as a distinctive kind of verbal discourse. Futhermore, this attitude is underscored by a total reliance on the "formal cause" in utter disregard for the "material cause" of poetry. To have a full understanding of what poetry is, not only should both causes be taken into consideration, their coalescence is a vital function of the formation of poetic visioning which is reflected in the Coleridgean concept of an organic form that flows naturally from the matter to compel the desired poetic involvement. Thus poetry, even in this more restricted sense of being verbal artifact, intensely communicates what resonates in the soul of man.

While the Greek word poesis (which etymologically spun off such words as poem, poet, poetry, poetic and poetics amongst others and denotatively means "making or to make") supports this specialized consideration of poetry as an artistic verbal construct, it also recognizes a wide array of creations or products. Poesis as "making or to make" implies that poetry can be applied to any object fabricated by human beings or even any action or activity that stands in contrast to a natural phenomenon. This explains why Plato, in the tenth book of The Republic, correlates products of verbal fabrications with those of carpentry and warfare and proceeds to apply the same standards in evaluating their usefulness. In effect while it is acceptable to regard those who artistically produce oral or written works as poets and their products as poems in the specialized sense, it is also acceptable to regard, in a general sense, all things produced by man as poems while all humans are poets because they produce things and initiate actions that can be regarded as poems.

If the core attributes of aesthetic verbal discourses form the base of all human products and activities, then it follows that the products and activities are poetic. For example the rhythm, which flows from the measured movements or "metred language," creates an aesthetic harmony that showers forth intense experiences and profound insights. When this aesthetic harmony is infused into all other human products as well as into the lives of individuals and social groupings, they become poetic. Other verbal discourses (be they literary - prose, drama, fable- scientific treatise, philosophic musings, or historical records), mathematical equations, artistic types like painting, music, architecture etc and other non-verbal and sign-related texts are poems, in the general sense, if they thrive on the poetic thought and impulse. In like manner, all human products, activities and visions are enriched and made more worthwhile by being poetically realised.

Please note that this sample paper on Poetic Existence: A Personal and Social Imperative is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Poetic Existence: A Personal and Social Imperative, we are here to assist you. Your persuasive essay on Poetic Existence: A Personal and Social Imperative will be written from scratch, so you do not have to worry about its originality.

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